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eHobo

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  • 3 weeks later...

Paul Crockett and The Scorpius finished the keyword for now. There's only the Razorspine Rattlers left, and I'll be painting them when they show up at my FLGS.
The Scorpius will get get a coat of gloss varnish on the syringes after I give it the usual protective coating.

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Scorpius.thumb.png.f7787b120c1cad6845d1b2792746c915.png

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  • 3 weeks later...
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I'm doing something! It's time to actually paint the actual Union guys, so they can beat the crap out of whatever is in their way.
I always do a gimmick, and this time is no exception, but it's more of a technique than a gimmick. I'm practicing using oil paints for something besides washes, so the M&SU will be painted using nothing but oils. Also, all metal will be NMM.

Toni is the first model that I've painted this way, and it went okay! She might need a little violet in the shadows of her face, but otherwise, she's done.

 

Toni.jpg

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8 hours ago, Nikodemus said:

I'm getting into oils myself soon. Feel free to write more about using oils. Triumphs, tribulations and all. I'd like to hear how it'll work out for you.

Toni's looking good.

Sure thing! I'll write something more when I've painted a couple of figures, but I'm following Marco Frisoni's way of doing things. You basically cover everything with a thick wash of oil paint, then remove most of it again, so you have a super thin layer of paint everywhere.

Then you wetblend everything, which works really well with oils.

I painted Toni from a layer of completely white primer, but I think it be much easier to start from a zenithal priming. That'll get the deep shadows using less paint, which'll cut days off the drying time, while still allowing for the very high, almost white, highlights.

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  • 2 weeks later...

More oil painting, mostly to show the process.
I'm re-priming all my M&SU minis, because a zenithal priming is very useful. A lot of oils are transparent in a not-obvious way when coming from acrylics, and that transparency can be put to very good use. The transparency also means that it can be very useful to put down a basecoat of acrylic paint, for example under the red, to avoid chalky white highlights and to make the colors more unified.
Both the red I use, and the brown for the shadows, is transparent to some degree, so push it around too much and you suddenly have a white spot.

My goal here is to use only oils (except for priming and the eyes), to try and really figure them out and get the technique down, so I'm doing it the hard way.

IMG_20210928_100634.thumb.jpg.38a1987b5e6d87df1b3311e17b2d9912.jpg

Step 1, covered in a thick oil wash. Just beautiful.

 

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Step 2: pretty much everything cleaned off again. There is a super thin layer of oil all over the mini, which makes blending easy. The deepest recesses are also full of paint.

 

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Step 3: put some paint on, blend it. Actually incredible simple, in theory. It took me about 2 hours to get here from step two. Now it needs to dry for a few days, before I can give it a few pin washes, do the eyes, and base it.

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  • 1 month later...

I completely forgot to upload Mouse. It's nice for me to see that I'm already doing better with the oil paints, since I don't think this guy is very good now. Doesn't matter though it's all about learning something new.

I also completely missed that he's wearing spectacles, so I had to add those in with acrylics. I thought he just had a weird face until I looked at his artwork.

Mouse.png

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  • 2 weeks later...

The contest is over so I can show off what I painted. I don't care enough about contests to stop messing around with whatever I'm doing, so all of these are done with oils. I'm still not great with the oils, but I'm getting better. I got a combined 0 votes for these three, so there's certainly room for improvement :)

Hamelin. I got a comment that the eyes should be brighter, and I tend to agree on the spell thingy. The black sunken eyes on Hamelin is on purpose.

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The Blood Hunter is annoyingly out of focus. I borrowed this guy from a friend of mine because "I didn't have any mosters at all". Then I looked in my drawers and had all of the Rasputina's, Sandeep's, Hamelin's, and Jedza's figures. I need to organize my crap.

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Mouse on fire, to go with my Toni Firesides. Yellow oil colors are super opaque, so the yellow took over a bit. Everything is highlighted and shades as usual, but it's stupidly subtle because of the gimmick.
I used some pure linseed oil to create the initial oil film on this guy, because I didn't want the base coat to be tinted by paint. It worked very well, I can recommend doing that.

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I also chucked them in the oven to speed up the drying. Preheat to 50C, turn off the oven, then bake your minis for 20 minutes to speed up the drying time and matten the oils. This is based on something Marco Frisoni said, so it's not just a crazy idea I had.

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  • 4 months later...

Holy crap, I painted something! Amina Naidu and the two Gunsmiths for my upcoming escalation league. Oils on top of acrylics, I feel like I'm getting better with the oils. Those plants on the bases are also new to me! I like them, they let me make weirder bases with little effort.

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  • 2 weeks later...

And The Captain. This guy was a challenge! All the little details are pretty hard to blend with oils, but I should probably just accept that it'll look fine with a simple one-stroke blend. I'm also still fighting my yellow, because I don't paint a lot straight yellow on my minis. It is incredibly opaque, while a lot of browns are at least semi-transparent so I need a different workflow. I think that I'll paint the versatile Arcanist robots in a yellow scheme to get some practice.
Finally, I tried starting the NMM from black. Didn't work out for me, the black is too powerful and makes it take way more effort than just starting from clean oil.

Captain Back.png

Captain Front.png

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A great looking model  in a category with alot and also stiff competition.

Given the topic of lighting effects you didnt pick the easiest model to choose.

Those fiery wings would bathe her in light, leaving harsh shadows in certain areas. Alot of "light-value" contrast.

Positioning of the light looks great and the wings look proper fiery.

I also really like the broken, glowing ground rising with her, nice base. Keep at it 😜

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6 hours ago, Nudelpullover said:

A great looking model  in a category with alot and also stiff competition.

Given the topic of lighting effects you didnt pick the easiest model to choose.

Those fiery wings would bathe her in light, leaving harsh shadows in certain areas. Alot of "light-value" contrast.

Positioning of the light looks great and the wings look proper fiery.

I also really like the broken, glowing ground rising with her, nice base. Keep at it 😜

The August contest has usually been the Hot Hot Hot one, where the theme is fire, so I had her ready to go for that. I just painted her anyway, because I'm not very competitive :)

The only part of her that isn't directly hit by light, is her face, neck, top of the torso, and the front of her hair, and I actually made those areas dark at first. It just looked weird because everything else is bright, so I dropped that idea.

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